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Since 2002 the company have churned out over two million samples and countless instruments, winning a reputation for musical depth, detail and precision. We’ll start with Vienna Symphonic Library, the world’s most prolific developer of orchestral sample libraries.
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In order to make effective comparisons, single–instrument libraries which don’t comprise the whole strings family are excluded. We’ve also included all–in–one symphonic products which feature strings along with other orchestral instruments. This round-up focuses on stand–alone strings libraries dating from 2002 onwards, most of which incorporate ‘interval legatos’ and round robins (see the ‘Legato Revolution’ box for an explanation of these terms). We hope our analysis will help you decide which orchestral strings library is best suited to your music and budget! The majority of these titles have received in–depth SOS reviews, which can be read online via the links in the ‘SOS Reviews’ box. To throw some light on the subject, we’ve compiled a selection of the current sample libraries and virtual instruments which feature orchestral strings, and analysed their contents and characteristics. As a result, deciding which library to buy can be a bewildering experience, and (as with all commodities) it’s sometimes difficult to separate fact from advertising hyperbole. While these format shifts have greatly inconvenienced some users, they’ve done nothing to stem the flow of new strings sample libraries, a product line which has proliferated in recent years.
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Gigastudio is now defunct, a software success story turned sour nowadays, sample developers tend to favour the ubiquitous Kontakt sampler format, or they use proprietary player software which works only with their products. The ’90s saw a steady trickle of Akai–format orchestral libraries, but with the advent of the PC–based Gigastudio in 2000, the trickle turned into a torrent. When Miroslav Vitous released his Symphonic Orchestra Samples CDs in 1993, no–one could have predicted the avalanche of similar products that was to follow.
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This way, you have access to massive 4-octave runs, covering the full string section, as well as common orchestrations such as the violins and flutes playing together.The quality and variety of orchestral string libraries continues to grow.
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With ADAPTIVE RUNS, we have given the library series a fresh, new look, offering a clean layout with improved control over the features that you need most.ĪDAPTIVE RUNS is a perfect addition to our other libraries, as it was recorded in the same, lush concert hall environment as the Symphobia and Orchestral Essentials series. A CLEAN, NEW INTERFACE FOR THE COLOURS SERIESĪDAPTIVE RUNS is part of our Colours series. The Range toggle allows you to quickly switch to a run with either a narrower or wider orchestrated range, all while maintaining the other sync settings.ĪDAPTIVE RUNS will become your new go-to runs library from the moment you start using it.Īn official walkthrough of ADAPTIVE RUNS will be available soon. Turning off synchronization automatically reloads the samples in disk streaming mode, a useful feature in low-RAM situations. The engine automatically picks the best matching recording, then tweaks it further so that it hits the mark exactly. Our Adaptive Sync engine effortlessly syncs the orchestral runs to the next downbeat or any custom number of beats or seconds. Tapping from a vast audio pool, with runs ranging from a 4th interval to 4 octaves, ADAPTIVE RUNS perfectly and effortlessly syncs to your track, allowing you to keep focusing on your composition. PERFECT RUNS - EVERY TIMEĪDAPTIVE RUNS is the smartest and most intuitive orchestral runs library yet. If you want to come up with authentic-sounding orchestral runs quickly, intuitively and on a budget, Adaptive Runs is a sure-fire solution.